Vase Sometsuke Karako Children | The first-generation head of the Shinemon Kiln [146166]
Vase Sometsuke Karako Children | The first-generation head of the Shinemon Kiln
[146166]
Price: 330,000JPY
Weight: 3200g
Low stock
[size]
Width: 25cm / Height: 30cm
Width: 9.8in / Height: 11.8in
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Works by the late Shinichiro Baba, the first-generation Shinemon and predecessor of the Shinemon Kiln, a representative kiln of Arita ware. It is a piece depicting scenes of children, known as Karako, playing in a Chinese style.
The current Shinemon Kiln is a leading authority in the Yohen technique, which skillfully manipulates glazes. However, this piece is not created using the Yohen technique but is painted with "sometsuke" (blue and white porcelain). This is because this large vase was created by the first-generation Shinemon, the late Shinichiro Baba, who founded the Shinemon Kiln. While he was exploring the Yohen technique throughout his career, he crafted this piece using the skills he had mastered up to that point. It is a work in which he fully demonstrated his skill using sometsuke, a basic painting technique of Arita ware. Since Sometsuke works are rarely produced at the current Shinemon Kiln, this piece is now considered highly rare and valuable.
The depicted Karako, with their innocent and joyful appearances, symbolize prosperity and happiness. These images have been widely incorporated into Japanese paintings and crafts. The background of this piece reflects the cultural influences from China and the uniquely Japanese desire for happiness and prosperity. The depiction of Karako is still beloved by many people today, highly valued for its beauty that symbolizes "prosperity and fertility" as well as "happiness and longevity."
From the perspective of production techniques, this piece is created using the sometsuke (blue and white porcelain) technique. Sometsuke is a painting technique where the designs are drawn on the bisque-fired pottery before applying the glaze. The unique brushwork and touch of the sometsuke technique allow for a more delicate expression of the Sansui landscape. Sometsuke involves painting on the bisque-fired pottery, which is absorbent, making it impossible to make corrections. In other words, it is completed with a single, decisive brushstroke. It is a masterpiece completed with perseverance, concentration, and compositional skill.
[Potter Profile]
Shinichiro Baba (deceased)
The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association
Shinichiro Baba's career is as follows :
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.
[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."
Width: 25cm / Height: 30cm
Width: 9.8in / Height: 11.8in
-----------------------
Works by the late Shinichiro Baba, the first-generation Shinemon and predecessor of the Shinemon Kiln, a representative kiln of Arita ware. It is a piece depicting scenes of children, known as Karako, playing in a Chinese style.
The current Shinemon Kiln is a leading authority in the Yohen technique, which skillfully manipulates glazes. However, this piece is not created using the Yohen technique but is painted with "sometsuke" (blue and white porcelain). This is because this large vase was created by the first-generation Shinemon, the late Shinichiro Baba, who founded the Shinemon Kiln. While he was exploring the Yohen technique throughout his career, he crafted this piece using the skills he had mastered up to that point. It is a work in which he fully demonstrated his skill using sometsuke, a basic painting technique of Arita ware. Since Sometsuke works are rarely produced at the current Shinemon Kiln, this piece is now considered highly rare and valuable.
The depicted Karako, with their innocent and joyful appearances, symbolize prosperity and happiness. These images have been widely incorporated into Japanese paintings and crafts. The background of this piece reflects the cultural influences from China and the uniquely Japanese desire for happiness and prosperity. The depiction of Karako is still beloved by many people today, highly valued for its beauty that symbolizes "prosperity and fertility" as well as "happiness and longevity."
From the perspective of production techniques, this piece is created using the sometsuke (blue and white porcelain) technique. Sometsuke is a painting technique where the designs are drawn on the bisque-fired pottery before applying the glaze. The unique brushwork and touch of the sometsuke technique allow for a more delicate expression of the Sansui landscape. Sometsuke involves painting on the bisque-fired pottery, which is absorbent, making it impossible to make corrections. In other words, it is completed with a single, decisive brushstroke. It is a masterpiece completed with perseverance, concentration, and compositional skill.
[Potter Profile]
Shinichiro Baba (deceased)
The first-generation head of the Shinemon Kiln
Member of Nitten / Full Member of the Japan Contemporary Arts and Crafts Association / Member of the Saga Prefecture Ceramic Association / Member of the Arita Ceramic Association
Shinichiro Baba's career is as follows :
Born in 1924 in Arita, Saga Prefecture
1972: Founded the Shinemon Kiln in Arita.
1979: Selected for the Prefecture Exhibition with "Hexagonal Celadon Bowl."
1981: Selected for the Nitten exhibition with "Oil Spot Tenmoku Large Bowl," subsequently selected 21 times.
1989: Appointed as an art exhibition judge.
2000: Exhibited "Saiun-99" and "Sai-99" at the British Museum in London (Saga Prefecture Ceramic Exhibition).
2004: Exhibited "Saikei" and "Saimon" at the Arita Pottery Exhibition in Germany.
[Main Awards]
1983: Won the First Place Bijutsu Kyokai Prize at the Bijutsu Kyokai Exhibition for "Cinnabar Flower Vase."
1986: Received the Grand Prize and the Contemporary Craft President's Prize at the Contemporary Crafts Kyushu Exhibition.
1996: Awarded the Contemporary Craft Prize at the Contemporary Craft Exhibition for "Akebono no Nagisa."
2000: Received the Full Member Prize at the Contemporary Craft Exhibition for "Rensaku・Sai."
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Import duties, taxes, and charges are not included in the item price or shipping cost. To residents of Europe: |
Source: www.exchange-rates.org
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 Porcelain production started in Japan in the 17th century after kaorin stone was discovered in Arita. From the middle 17th century, large amounts of Arita ceramics, which captivated the European royalty and nobility, were exported to Europe, through the Dutch trading post on Dejima Island in Nagasaki. Augustus the Strong, Elector of Saxony, was so fond of Arita ceramics that he ordered porcelain resembling Arita ceramics to be made in his electorate. In Arita, the tradition and techniques of Arita ceramics have been preserved for over 400 years, while young potters and workshops take on the callenge of producing ambitious new works. |
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